For the most part, radio in the U.S. plays crap. There's some good stuff out there, but you'd never know it. That ends right now.

From sweet and smooth classics, to new names, to old names with new music...the focus here, is to shine a little light on some damn fine music.

I'll find it. You can listen, review, or tell me I wouldn't know good music if it kicked me in the ass. I personally don't give a shit.

Tuesday, May 19, 2015


“Who am I to judge?”

“Who Am I,” a video from New Jersey based Jutaun, asks that question throughout an artfully edited video which makes you take a hard look at your individual biases and ingrained expectations. Director Guy Davies takes the haunting tune and weaves a story of inner city life into seven minutes of apprehensiveness, where nothing is as it seems.

Jutaun has released “Who Am I” as the first single off their soon-to-be-released debut EP Back To Life, which is set to drop on June 8th 2015. "Who Am I" features clear harmonies, a melody with enough tempo changes to keep the ride interesting, and lyrics that will make you think... isn't that a refreshing concept?

The band was formed by brothers Jake Evans (percussion & vocals), Jamie Evans (guitar & vocals), and Samoeun Cheng (vocals). Growing up in a musical family, the Evans brothers were exposed to all types of music, and took influences from many of them. Cheng, who eventually ended up in South Jersey by way of Cambodia, Thailand, San Francisco and Memphis, brings along his own musical influences. Together their sound is anything but predictable and more than a little difficult to categorize into one genre.

Named one of the “30 NJ Bands You Must Hear in 2015” by NJ.com, Jutaun appeared at this year’s SXSW and are hitting the radio station circuit promoting their upcoming release.

Watch the video and look at real life a little differently.


First published as Jutaun Releases Thought-Provoking New Video "Who Am I"  at Onstage Magazine

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Monday, May 18, 2015

Losing Another Legend: B.B. King Dies at 89


“There are so many sounds I still want to make, so many things I haven't yet done.” __B.B. King

He was born Riley, established his legend as the Blues Boy, and earned the love and respect of every successive generation as B.B., or Mr. King if you will. After 89 years of good times and bad times, B.B. King has died; his fifty+ year conversation with Lucille is now over.

B.B King did not have the easiest life, none of the Blues musicians of his era did. But he took that life, played it on his strings, and it was called the Blues. Isn’t it strange how pain can sound so beautiful.

He played for kings and queens, those of the real world and musical royalty as well. B.B. King not only influenced blues players, but rockers from The Rolling Stones, to Jeff Beck to Eric Clapton, have all lined up to act as second fiddle when they let B.B. take the stage with them.

A member of the Blues Hall of Fame, The Rock and Roll Hall of Fame, and the recipient of NARAS Lifetime Achievement Grammy Award, B.B. King was not only respected throughout the industry, he was loved by those in it, and by most anyone who heard his signature style of guitar playing.

"When I sing, I play in my mind; the minute I stop singing orally, I start to sing by playing Lucille.”

If you’ve never seen B.B. play, you might not understand the conversation he had with his guitar, Lucille. He would sing or play, but not at the same time. He would sing a line then play her. It was the most intimate of conversations, but he shared it every night onstage.

We may have lost a legend, but his style, influence and music will always remain. That Thrill will never Be Gone.

Easy Journey Mr. King.



Photo by Larry Philpot

First published in OnstageMagazine.com

For More Concert photos of B.B. King check out B.B. King in Indiana and B.B. King in Indiana 11.16.13 at OnstageMagazine.com

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Scruffy City Film and Music Festival Highlights

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The votes have been tallied and the awards presented. The Scruffy City Film & Music Festival has closed shop for another year, but even as we look back at the highlights of this year, work has already begun on ideas to grow the festival and continue to improve it for next year. With the way the festival has evolved over its years of existence, there is little doubt of its shining future.
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Knoxville's Market Square
Knoxville’s Market Square, where the festival takes place, is a vibrant open-air space surrounded by retail shops, eateries, pubs, and Scruffy City Hall, a three-floor cine-pub where film showings were followed by music performances. While the Market Square is a constantly changing activity zone, Scruffy City Hall is the chill zone, with seating and a bar on every level including the roof.
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Everyone is welcome
Outside, the very dog-friendly atmosphere creates a natural camaraderie, while street performers vie for attention. Some fare better than others. This year the weather was more than cooperative, creating very few empty tables at outdoor restaurant seating where all those dogs were sitting with their owners. Each evening, the festival began with the Knoxville Mercury Mixer where attendees would gather in anticipation of the upcoming events.
For the rest of the Scruffy City Film & Music Festival story, go to Scruffy City Film and Music Festival Highlights at OnStageMagazine.com

Danny Says: A Documentary Film About Punk’s Godfather

The New York City music scene of the 1970s exploded with bands whose impact is still felt today: Lou Reed, Patti Smith, The Ramones, and Iggy and the Stooges, to name a few. If you weave in the influence of Andy Warhol’s Factory and the ever-present drug scene, it’s more than surprising that anyone who was in the midst of it could remember the highlights, the lowlights, the truth and the fiction of those seminal moments in music history. Not only did Danny Fields live through those moments, he was responsible for many of them.

For the full story of Danny Fields and the documentary Danny Says, check out Danny Says: A Documentary Film About Punk’s Godfather at Riffraf.net

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Knoxville to Host the Scruffy City Film and Music Festival

A city with a music festival is one thing. A city with a film festival is another. But if you’re lucky enough to find yourself in the city of Knoxville, Tennessee anytime from April 28th-May 3rd, you can enjoy the best of both of those worlds along with a large portion of fun and Southern hospitality. The Scruffy City Film and Music Festival  is a five-day event filled with Feature and Short films, Music Documentaries, Live Regional Music, Short Animations, Musical Competitions, Panels, Workshops and an abundance of social activities.
Now entering its sixth year, the Music & Film Fest received over 380 film submissions from thirty countries. Films entered into the competition were required to either have a musical theme or a strong musical score or soundtrack. Getting those submissions was the easy part. Narrowing the list to those fifty films which will be shown was a whole lot more difficult. According to Festival Director Michael Samstag, because the quality of the films submitted was so strong, the last round of decisions was “brutally painful.”
I recently had the opportunity to speak with Michael Samstag about those decisions and what’s in store for those attending the Scruffy City Film & Music Festival.
Michael SamstagKath Galasso: How many years has the festival been going on?
Michael Samstag: We’ve been producing a festival for six years. The first four or five years we did a 24-hour film competition here in Knoxville. It was a very beloved festival. Three years ago we started doing a Film & Music Festival. We’re no longer doing the 24-hour festival, instead we’ve added Film Score which is this celebration of music and film, and that has just really sort of rocketed the festival. The amount of submissions is slightly more than last year, but the quality of submissions has just been incredible.
How did the 24 Hour Challenge work?
Filmmakers had 24-hours to make a complete film. We’d give them all kinds of ringers and secret elements that had to be included, so they couldn’t shoot it in advance. It was a complete and total format film in 24 hours. And some of our 24 hour submissions went on to play at the National Film Festival, which is an Academy Award qualifying festival. It was pretty unbelievable the level of work that was being done.
And what made you change the format?
We just thought that it was time to do something new. For me, once something is up and running… is successful and perfect, I lose interest pretty quickly. When we started there was nothing like it. Five years later there’s like five different shoot-outs happening in town. So it was time to just break apart and do something totally different.
Tell me about this year’s Film Score Challenge.
Composers had five trailers to choose from that didn’t have music and they scored them. And we chose the sixteen best of those. Our panel of judges will then narrow it down to determine who the actual winner of that is. Our music judges are award winning composers, and I hate those words “award-winning,” because there are so many awards that don’t mean much, but these are some big cats.
Scruffy City-1This year you seem to be focusing a lot on students, with free screenings, chair massages and therapy dogs. It’s a very interesting concept, how did that come about?
Well, we moved our festival this year so we could be more accessible to students. In the past our festival was in June, so there are only summer classes going on. So we moved into April to include them better. Unfortunately the best week for us that didn’t have another festival going on was the last week of April, which is sort of the week after classes and some people are starting finals. If they were students like me, they are going to be partying and looking for something to do. And for those students who actually study and work hard, bless them, it’s a perfect stress breaker. If you need a break, just come watch a movie, get a chair massage, and settle up with a Great Pyrenees while watching a film, having a beer, eating something. Anything we can do to attract an audience (1) and students (2), we’re always interested in doing.
This year we grouped our Shorts into very marketable blocks for different audiences. We’re using different organizations to promote our feature films. So half of my job is to select the best films, and the other half is to attract as big an audience as is humanly possible.
Scruffy City-3Tell me about some of the panels and workshops that you’ll be having.
I can tell you about one called “The Future of Live Rock and Roll Shows.” I just have this belief that not much has changed in the rock show world in fifty years. But we’ve seen crowdsourcing, digital and social media shake up everything, and I have the feeling it’s only a matter of time before it shakes up rock shows. And it’s begun to, but the show itself, I think, still hasn’t felt the full ripple effect of what this is all going to be. So we’ve got lighting people, sound people, video wall people, interactive media type people, who are going to have a panel about that.
The other panel is going to be something for filmmakers and composers… work flow-work process collaboration. A lot of our filmmakers here in town are just starting to get to that point; they’re maybe working with a composer, working with a sound designer or in a larger context. Those are the two workshops we have slotted.
For someone who will be visiting Knoxville for the first time, what can they expect.
Scruffy City-2Knoxville is really an emerging city and our downtown area is tremendous. The Festival takes place in the very, very thick of it which is Market Square. During the weekends you’re going to see musicians, a magician, and farmers markets going on, with tens of thousands of people walking the streets. It’s a place where you can park your car and walk to dozens of restaurants, bars, great shopping, and nearly all of it is still local-regional. It’s a very beautiful city right on the Tennessee River. If you’re flying in, you can take an Uber from the airport to down town and never need a car the rest of the trip you’re here. The restaurants are phenomenal, there are all kinds of different breweries and great bars, and our facility is in the thick of it. Probably the most popular pub in town is the Preservation Pub and that’s owned by the same owners as the Scruffy City Hall where we hold the festival.
Scruffy City Hall is a large hall that fits about 100 people downstairs and another 40-50 people upstairs in the balcony. There’s a bar and patio on the first floor, a bar and patio on the second floor, and the third floor is an outdoor rooftop bar. That’s opening just in time for the festival this year, it’s a new addition. The whole building was built just in time for the festival last year. It’s intimate, it’s cozy, it’s awesome. You can have a beer or cocktail in your hand, order some food and enjoy the movie.
For the rest of the interview, please go to Knoxville to Host the Scruffy City Film and Music Festival at OnStage.com